Aida – January 2012

As is his dramatic style, the Sicilian tenor effectively underplayed the somewhat stolid role of Radames but rose to the vocal challenges superbly. Giordani’s voice soared thrillingly over the massed ensembles of Act 2 and he brought an emotional depth and highly nuanced vocalism to his late scene with Amneris and the final duet.

Chicago Classical Review – January 22, 2012

Jan 11, 2012